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Aur\u00e9lie Mongis<\/strong><\/span> a \u00e9t\u00e9 Charg\u00e9e de mission Culture et Handicap<\/em> pour la Ville de Tours de 2004 \u00e0 2013. \u00c0 ce titre, elle a initi\u00e9 et accompagn\u00e9 de nombreux projets participant \u00e0 l’accessibilit\u00e9 de la culture aux personnes en situation de handicap. Sa mission, alors unique en France dans le secteur territorial, lui a donn\u00e9 l’occasion d’animer de nombreux groupes de r\u00e9flexion sur les bonnes pratiques en mati\u00e8re d’adaptation de l’offre culturelle aux publics en situation de handicap souvent \u00ab \u00e9loign\u00e9s \u00bb de la culture, et de t\u00e9moigner des r\u00e9alisations, tout en maintenant une veille attentive sur les usages en France et \u00e0 l’international.<\/p>\n Aur\u00e9lie Mongis<\/strong><\/span> est r\u00e9guli\u00e8rement consult\u00e9e pour diagnostiquer la qualit\u00e9 d’accessibilit\u00e9 d’une offre culturelle, envisag\u00e9e dans une perspective globale : acc\u00e8s au lieu, au contenu culturel, \u00e0 l’information, \u00e0 la qualit\u00e9 d’accueil. Elle intervient r\u00e9guli\u00e8rement sur ces questions aupr\u00e8s de personnels du champ culturel et dans d\u2019autres domaines, pour des actions de formation, de sensibilisation et de conseil dans le secteur associatif et pour des collectivit\u00e9s territoriales.<\/p>\n Elle a \u00e9galement accompagn\u00e9 de nombreux projets culturels ( aide \u00e0 la diffusion, conseil \u00e0 la communication, cr\u00e9ation de partenariats ) dans le cadre de ses fonctions au sein de la Maison des Associations Culturelles<\/em> ( Ville de Tours ) et pour divers festivals musicaux. Aur\u00e9lie Mongis<\/strong><\/span>\u00a0est dipl\u00f4m\u00e9e en sciences humaines ( Master II Musique et musicologie sp\u00e9cialis\u00e9 en ethnomusicologie,<\/em> 2003, et Master II Administration des Entreprises<\/em>, 2004). Elle b\u00e9n\u00e9ficie \u00e0 ce titre d’exp\u00e9riences vari\u00e9es dans les champs de l’anthropologie de terrain ( publication 2011 : Le Chant du Masque<\/em> ; interventions lors de rencontres et expos\u00e9s de recherche ), de la pratique et de l\u2019enseignement de la musique ( fl\u00fbte traversi\u00e8re, FM, chorale d\u2019enfants en \u00e9cole de musiques associatives et en coll\u00e8ge \u2013 trois ann\u00e9es de vacation pour l\u2019Education Nationale<\/em> ), et de la gestion culturelle dans le secteur priv\u00e9.<\/p>\n Aur\u00e9lie Mongis<\/strong><\/span> est actuellement Conseill\u00e8re au d\u00e9veloppement culturel au Conseil D\u00e9partemental d’Indre-et-Loire, o\u00f9 elle est en charge de l\u2019enseignement artistique sp\u00e9cialis\u00e9, de l\u2019Education Artistique et Culturelle (EAC)<\/em>, de la musique et de la danse. Agent territorial depuis presque vingt ans, elle appr\u00e9hende particuli\u00e8rement bien les enjeux et les particularit\u00e9s li\u00e9s \u00e0 l\u2019accueil et \u00e0 l\u2019offre culturelle dans le contexte du service public auquel elle est attach\u00e9e.<\/p>\n \u00c0 l’AGECIF, Aur\u00e9lie Mongis<\/strong><\/span>\u00a0intervient comme formatrice sur les questions relevant de l’inclusion des personnes en situation de handicap dans la soci\u00e9t\u00e9. Soucieuse de participer au changement de regard port\u00e9 sur le handicap et en veille constante sur les outils facilitateurs et les bonnes pratiques en ce domaine, elle m\u00e8ne des sessions \u00e0 l\u2019adresse des personnels charg\u00e9s de l’accueil dans les ERP (\u00e9tablissements recevant du public)<\/em> de tous secteurs. Elle accompagne particuli\u00e8rement les charg\u00e9s des publics, m\u00e9diateurs et p\u00e9dagogues des structures culturelles (mus\u00e9es, salles de spectacle, biblioth\u00e8ques, cin\u00e9mas, conservatoires, centres socio-culturels…) dans leurs projets d\u2019actions culturelles inclusives. Etant r\u00e9guli\u00e8rement intervenue pour des formations dans des lieux de patrimoine (monuments nationaux, ch\u00e2teaux priv\u00e9s d\u00e9veloppant une offre touristique\u2026), nourrie par ses exp\u00e9riences de terrain dans le secteur ( premi\u00e8res exp\u00e9riences professionnelles en HCR – h\u00f4tellerie, restauration et promotion de parcs de loisirs<\/em> ), et ses nombreux voyages, elle a d\u00e9velopp\u00e9 un regard et une compr\u00e9hension des enjeux et des m\u00e9tiers de l’accueil de la client\u00e8le, domaine pour lequel elle intervient \u00e9galement \u00e0 l’AGECIF.<\/p>\n A la demande de l\u2018AGECIF, Aur\u00e9lie Mongis<\/strong><\/span>\u00a0a con\u00e7u une formation permettant aux professionnels issus de structures de tous secteurs et de toutes tailles ( public et priv\u00e9, organismes de formation, CFA, \u00e9tablissements de sant\u00e9, s\u00e9curit\u00e9, commerces, industries, associations culturelles\u2026<\/em>) d\u2019amorcer ou de prolonger leur r\u00e9flexion sur leur positionnement en tant que (futur) R\u00e9f\u00e9rent Handicap<\/em> de leur entreprise ou de leur collectivit\u00e9.<\/p>\n Le Chant du Masque, une enqu\u00eate ethnomusicologique chez les W\u00e8 de C\u00f4te d’Ivoire.<\/em> Paris, L’Harmattan 2011.<\/p>\n Interview d’Aur\u00e9lie Mongis<\/span> :\u00a0\u00a0Mus\u00e9es, expositions\u2026 L\u2019accessibilit\u00e9 \u00e0 la culture des publics en situation de handicap<\/a><\/em><\/p>\n Mus\u00e9es, lieux de patrimoine et tourisme<\/span> : Ch\u00e2teau de Fontainebleau ; Ch\u00e2teau de Chambord ; DGAP \u2013 Minist\u00e8re de la Culture ; Mus\u00e9es des Egouts ; Mus\u00e9es des Arts et de l\u2019Histoire du Juda\u00efsme, Ch\u00e2teau de Bl\u00e9rancourt, Fondation Dosne-Thiers, association du personnel scientifique des Mus\u00e9es de la R\u00e9gion Centre ; RMN R\u00e9union des Monuments Nationaux, Mus\u00e9es de l\u2019agglom\u00e9ration du Niortais, Ecole Nationale du Louvre, Offices de Tourisme Centre Val de Loire, Pays de la Loire…<\/em><\/p>\n Sc\u00e8nes et festivals de musiques actuelles :<\/strong> La Paloma ; L\u2019A\u00e9ronef ; Le Grand Mix ; les 4 Ecluses, Papillons de Nuit ; La Car\u00e8ne ; le Gueulard Plus ; FRACA-MA <\/em><\/em>Cin\u00e9ma :\u00a0<\/strong>R\u00e9seaux MK2, Cin\u00e9mas 93\u2026<\/em><\/p>\n Biblioth\u00e8ques, m\u00e9diath\u00e8ques :<\/strong> Biblioth\u00e8ques d\u00e9partementales publiques (BDP)de Charente, des Vosges, d\u2019Alsace, de l\u2019Aisne ; Biblioth\u00e8ques municipales, universitaires : Limoges, Poitiers, Tours ; Archives Nationales\u2026<\/em><\/p>\n <\/em><\/em>Ecoles de musique :\u00a0<\/strong>du Pays d\u2019Aix, Bretagne, Nantes, Paris, agents territoriaux d\u2019enseignement artistique sp\u00e9cialis\u00e9\u2026<\/em><\/p>\n <\/em><\/em>Secteur de l\u2019animation et Agences de d\u00e9veloppement culturel :<\/strong> IDDAC \u2013 Institut D\u00e9partemental de D\u00e9veloppement Artistique et Culturel Gironde ; M\u00e9tiers Culture, ITS (Institut des Travailleurs sociaux) ; Ligue de l\u2019Enseignement ; Centres Socio-culturels L\u00e9o Lagrange ;Le Patio centre d’initiation aux Arts de Morlaix ; Ville-d\u2019Armenti\u00e8res (animateurs), Ville d’Argenteuil (b\u00e9n\u00e9voles des associations locales)\u2026<\/em><\/p>\n <\/em><\/em>Autres secteurs :\u00a0<\/strong>Villes de Clichy, St Cloud, Communaut\u00e9 d\u2019agglom\u00e9ration Est Ensemble, Conseil R\u00e9gional de Normandie (lyc\u00e9es et services administratifs) ; Chartres M\u00e9tropole ; Assembl\u00e9e Nationale ; Mutuelle MSA ; H\u00f4tels Mercure groupe Accor ; G\u00e9oreva ; S\u00e9curitas ;Maison du dioc\u00e8se d\u2019Annecy ; Centre Hospitaliers Avranches-Granville ; Clinique du Libournais ; Chambre des M\u00e9tiers et de l\u2019Artisanat ; Centre de Formation des Apprentis H\u00f4tellerie Restauration Chartres ; Institut pour d\u00e9ficients visuels Paul et Liliane Guinot ; Ecole Nationale des Fleuristes…<\/em><\/p>\n<\/div>\n<\/div>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ admin_label=\u00a0\u00bbPopup – #legrand\u00a0\u00bb module_id=\u00a0\u00bblegrand\u00a0\u00bb module_class=\u00a0\u00bbpopup\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.3″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_margin=\u00a0\u00bb0px||||false|false\u00a0\u00bb custom_padding=\u00a0\u00bb0px||||false|false\u00a0\u00bb da_is_popup=\u00a0\u00bbon\u00a0\u00bb da_popup_slug=\u00a0\u00bblegrand\u00a0\u00bb da_disable_devices=\u00a0\u00bboff|off|off\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb da_exit_intent=\u00a0\u00bboff\u00a0\u00bb da_has_close=\u00a0\u00bbon\u00a0\u00bb da_alt_close=\u00a0\u00bboff\u00a0\u00bb da_dark_close=\u00a0\u00bboff\u00a0\u00bb da_not_modal=\u00a0\u00bbon\u00a0\u00bb da_is_singular=\u00a0\u00bboff\u00a0\u00bb da_with_loader=\u00a0\u00bboff\u00a0\u00bb da_has_shadow=\u00a0\u00bbon\u00a0\u00bb][et_pb_row custom_padding_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb width_tablet=\u00a0\u00bb\u00a0\u00bb width_phone=\u00a0\u00bb95%\u00a0\u00bb width_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb custom_padding_tablet=\u00a0\u00bb\u00a0\u00bb custom_padding_phone=\u00a0\u00bb|10px||10px|false|true\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.21.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.3″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_margin=\u00a0\u00bb||10px||false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.3″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n Julie Legrand<\/span><\/strong>\u00a0est titulaire d\u2019une Ma\u00eetrise en Histoire de l’Art et d\u2019un Master 2 en Enseignement et Didactique du Fran\u00e7ais Langue \u00c9trang\u00e8re (FLE). Elle commence sa carri\u00e8re dans la m\u00e9diation culturelle dans des sites patrimoniaux majeurs (Ch\u00e2teau de Chambord<\/em>,\u00a0Abbaye du Mont Saint-Michel)<\/em>, et dans le secteur de l’art contemporain (FRAC Poitou-Charentes,<\/em>\u00a0Ch\u00e2teau d’Oiron<\/em>), avant de poursuivre quelques ann\u00e9es dans l\u2019enseignement du fran\u00e7ais \u00e0 l\u2019\u00e9tranger (Espagne, Roumanie, Maroc). En revenant en France, elle \u0153uvre au\u00a0Mus\u00e9e des Beaux-arts de Nantes<\/em>\u00a0(2008-2012).<\/p>\n C\u2019est en tant que charg\u00e9e des relations aux publics au\u00a0Lieu Unique, sc\u00e8ne nationale de Nantes<\/em> (2012-2017), que Julie Legrand<\/span><\/strong>\u00a0se forme pour travailler \u00e0 la mise en accessibilit\u00e9 de la programmation pluridisciplinaire (th\u00e9\u00e2tre, danse, musique, arts visuels…) aux personnes en situation de handicap. Les actions culturelles (parcours de spectateurs, rencontres artistiques, ateliers de pratiques, visites de lieu et visites comment\u00e9es des expositions..) font l’objet d’une adaptation : audiodescription\u00a0; amplification\u00a0; interpr\u00e9tation en LSF\u00a0; r\u00e9daction en FALC, cr\u00e9ation d\u2019outils en braille et gros caract\u00e8res\u00a0; conception de plans thermogonfl\u00e9s\u00a0; formation de l\u2019\u00e9quipe des m\u00e9diateurs pour un accueil adapt\u00e9 des expositions.<\/p>\n \u00c0 partir de 2017, Julie Legrand<\/span><\/strong>\u00a0d\u00e9cide de mettre \u00e0 profit ses comp\u00e9tences \u00e0 360\u00b0 au service d’une meilleure inclusion culturelle, en tant qu\u2019ind\u00e9pendante et slasheuse de l\u2019accessibilit\u00e9 culturelle (m\u00e9diatrice \/enseignante \/formatrice \/r\u00e9dactrice \/consultante).\u00a0De retour au Mus\u00e9e d\u2019arts de Nantes, elle con\u00e7oit un panel de visites adapt\u00e9es, avec les outils d\u00e9di\u00e9s, et participe \u00e0 la refonte de la page accessibilit\u00e9 du site internet du mus\u00e9e.\u00a0Avec le collectif d\u2019historiennes de l\u2019art \u2013 Les T\u00eates Renversantes \u2013 elle intervient dans les structures m\u00e9dico-sociales comme au\u00a0\u00e0 la, ainsi qu\u2019\u00e0etdans lesquels, elle a cr\u00e9\u00e9 deux projets dans le cadre des dispositifs Culture et Sant\u00e9.<\/p>\n En tant qu\u2019enseignante, Julie Legrand<\/span><\/strong>\u00a0forme les futurs graphistes et communicants \u00e0\u00a0LISAA Nantes<\/em>, les futurs sc\u00e9nographes et designers d\u2019espace de\u00a0l\u2019Ecole de Design de Loire Atlantique<\/em>, et les futurs professionnels du m\u00e9dico-social inscrits dans le\u00a0parcours Inclusion et participation \u2013 handicap, difficult\u00e9s, d\u00e9pendance \u00e0 l\u2019INSPE de Niort.<\/em><\/p>\n Comme r\u00e9dactrice en fran\u00e7ais simplifi\u00e9 ou en FALC, Julie Legrand<\/span><\/strong>\u00a0a r\u00e9alis\u00e9 les aides \u00e0 la visite de la\u00a0Hab Galerie du Voyage \u00e0 Nantes,\u00a0<\/em>des\u00a0Machines de l\u2019\u00efle<\/em>\u00a0et du\u00a0Chronographe de Nantes M\u00e9tropole<\/em>, ainsi que les plaquettes de saison du\u00a0Festival Handiclap de l\u2019APAJH44<\/em>\u00a0et la\u00a0Soufflerie, sc\u00e8ne conventionn\u00e9e de Rez\u00e9<\/em>. Elle a aussi cr\u00e9\u00e9 la plaquette de la\u00a0Saison Accessible de la Ville de Nantes<\/em>\u00a0qui recensait l\u2019offre culturelle de 18 structures culturelles nantaises pour les personnes non-voyantes et malvoyantes.<\/p>\n En tant que formatrice professionnelle, Julie Legrand<\/span><\/strong>\u00a0intervient pour\u00a0l\u2019AGECIF<\/em>, sur l\u2019accueil des personnes en situation de handicap, sur les conception et l\u2019animation de m\u00e9diations adapt\u00e9es, ainsi que sur la cr\u00e9ation d\u2019outils en FALC.<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ admin_label=\u00a0\u00bbPopup – #contact\u00a0\u00bb module_id=\u00a0\u00bbcontact\u00a0\u00bb module_class=\u00a0\u00bbpopup\u00a0\u00bb _builder_version=\u00a0\u00bb4.21.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb da_is_popup=\u00a0\u00bbon\u00a0\u00bb da_popup_slug=\u00a0\u00bbcontact\u00a0\u00bb da_disable_devices=\u00a0\u00bboff|off|off\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb da_exit_intent=\u00a0\u00bboff\u00a0\u00bb da_has_close=\u00a0\u00bbon\u00a0\u00bb da_alt_close=\u00a0\u00bboff\u00a0\u00bb da_dark_close=\u00a0\u00bboff\u00a0\u00bb da_not_modal=\u00a0\u00bbon\u00a0\u00bb da_is_singular=\u00a0\u00bboff\u00a0\u00bb da_with_loader=\u00a0\u00bboff\u00a0\u00bb da_has_shadow=\u00a0\u00bbon\u00a0\u00bb][et_pb_row custom_padding_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.3″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb width_tablet=\u00a0\u00bb\u00a0\u00bb width_phone=\u00a0\u00bb95%\u00a0\u00bb width_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb custom_padding_tablet=\u00a0\u00bb\u00a0\u00bb custom_padding_phone=\u00a0\u00bb|10px||10px|false|true\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb width__hover_enabled=\u00a0\u00bboff|desktop\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.21.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n L\u2019AGECIF est situ\u00e9e au 22 rue de Picardie \u00e0 Paris. Si vous souhaitez qu’on vous rappelle, merci de bien indiquer vos coordonn\u00e9es et \u00e9ventuellement vos disponibilit\u00e9s.<\/p>\n<\/div>\n<\/div>\n [\/et_pb_text][et_pb_contact_form email=\u00a0\u00bbformation@agecif.com\u00a0\u00bb success_message=\u00a0\u00bbMerci, votre message a bien \u00e9t\u00e9 envoy\u00e9\u00a0\u00bb submit_button_text=\u00a0\u00bbEnvoyer\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb _unique_id=\u00a0\u00bb6a46fe86-254e-481d-b9b2-b8e1d268443e\u00a0\u00bb custom_button=\u00a0\u00bbon\u00a0\u00bb button_text_color=\u00a0\u00bb#FFFFFF\u00a0\u00bb button_bg_color=\u00a0\u00bb#2271b1″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_contact_field field_id=\u00a0\u00bbNom\u00a0\u00bb field_title=\u00a0\u00bbNom*\u00a0\u00bb _builder_version=\u00a0\u00bb4.21.0″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb button_text_size__hover_enabled=\u00a0\u00bboff\u00a0\u00bb 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#contact2″ module_id=\u00a0\u00bbcontact2″ module_class=\u00a0\u00bbpopup\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb da_is_popup=\u00a0\u00bbon\u00a0\u00bb da_popup_slug=\u00a0\u00bbcontact2″ da_disable_devices=\u00a0\u00bboff|off|off\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb da_exit_intent=\u00a0\u00bboff\u00a0\u00bb da_has_close=\u00a0\u00bbon\u00a0\u00bb da_alt_close=\u00a0\u00bboff\u00a0\u00bb da_dark_close=\u00a0\u00bboff\u00a0\u00bb da_not_modal=\u00a0\u00bbon\u00a0\u00bb da_is_singular=\u00a0\u00bboff\u00a0\u00bb da_with_loader=\u00a0\u00bboff\u00a0\u00bb da_has_shadow=\u00a0\u00bbon\u00a0\u00bb][et_pb_row custom_padding_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.3″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb width_tablet=\u00a0\u00bb\u00a0\u00bb width_phone=\u00a0\u00bb95%\u00a0\u00bb width_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb custom_padding_tablet=\u00a0\u00bb\u00a0\u00bb custom_padding_phone=\u00a0\u00bb|10px||10px|false|true\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb width__hover_enabled=\u00a0\u00bboff|desktop\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.21.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n L\u2019AGECIF est situ\u00e9e au 22 rue de Picardie \u00e0 Paris. Si vous souhaitez qu’on vous rappelle, merci de bien indiquer vos coordonn\u00e9es et \u00e9ventuellement vos disponibilit\u00e9s.<\/p>\n<\/div>\n<\/div>\n [\/et_pb_text][et_pb_contact_form email=\u00a0\u00bbformation@agecif.com\u00a0\u00bb success_message=\u00a0\u00bbMerci, votre message a bien \u00e9t\u00e9 envoy\u00e9\u00a0\u00bb submit_button_text=\u00a0\u00bbEnvoyer\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb _unique_id=\u00a0\u00bb6a46fe86-254e-481d-b9b2-b8e1d268443e\u00a0\u00bb custom_button=\u00a0\u00bbon\u00a0\u00bb button_text_color=\u00a0\u00bb#FFFFFF\u00a0\u00bb button_bg_color=\u00a0\u00bb#2271b1″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_contact_field field_id=\u00a0\u00bbNom\u00a0\u00bb field_title=\u00a0\u00bbNom*\u00a0\u00bb _builder_version=\u00a0\u00bb4.21.0″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb button_text_size__hover_enabled=\u00a0\u00bboff\u00a0\u00bb 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\n<\/strong><\/span>Bibliographie :<\/strong><\/span><\/p>\n
\n<\/strong><\/span>Quelques r\u00e9f\u00e9rences (structures form\u00e9es en intra), depuis 2014 :<\/strong><\/span><\/p>\n
\n<\/em>
\nSpectacle vivant :<\/strong> Les Folies Berg\u00e8res ; Th\u00e9\u00e2tre des Champs Elys\u00e9es ; Palais des Glaces ; Casino de Paris ; La Gait\u00e9 Lyrique ; La Com\u00e9die Fran\u00e7aise ; Th\u00e9\u00e2tre Chaillot ; Od\u00e9on ; Th\u00e9\u00e2tre Ath\u00e9n\u00e9e \u2013 Louis Jouvet ; Th\u00e9\u00e2tre National de Strasbourg ; Th\u00e9\u00e2tre Paul Eluard Bezons ; Le Quartz Brest ; Centre National des Arts du Cirque Ch\u00e2lons-en-Champagne ; Sc\u00e8ne Nationale de Dieppe ; Biennale \/ Maison de la Danse Lyon ; Centre chor\u00e9graphique National de Tours ; CCN Le Phare Brest ; Maison de la Musique Nanterre ; festival Tinta\u2019Mars Langres<\/em><\/p>\nJulie Legrand<\/h1>\n
![](\"http:\/\/wptestkevin.ovh\/.Dev\/wp-content\/uploads\/2024\/11\/j.legrand.jpg\")
<\/p>\nContacter l\u2019AGECIF<\/h1>\n<\/div>\n<\/div>\n
M\u00e9l\u00a0 accueil@agecif.com<\/a> ou formation@agecif.com<\/a><\/p>\nSe faire rappeler<\/h1>\n<\/div>\n<\/div>\n
M\u00e9l\u00a0 accueil@agecif.com<\/a> ou formation@agecif.com<\/a><\/p>\n